Kishchuk explores how war reshapes not only our sensibility toward landscapes but also our consciousness itself. Through vivid dream sequences and reflections on drone footage from the frontlines, she examines the paradox of loving distant places one cannot touch.
This volume of Narysy brings together two powerful texts that capture the raw immediacy of frontline cities, Kharkiv and Sumy.
This volume of Narysy brings together two powerful texts that capture the raw immediacy of frontline cities, Kharkiv and Sumy.
This issue has come together around the theme of theatre—though perhaps, in wartime, theatre manifests itself as a quiet undercurrent, resurfacing where language alone cannot reach.
This issue has come together around the theme of theatre—though
perhaps, in wartime, theatre manifests itself as a quiet undercurrent,
resurfacing where language alone cannot reach.
Kateryna Mikhalitsyna, a poet, translator, and curator, presents a poetic and intimate curatorial essay for the exhibition Roman Chornomaz: The Optics of Battle, biography of Roman Chornomaz, a photographer, activist, and soldier who swapped his camera lens for a sniper rifle.
Filmmaker and environmental humanities scholar Karolina Uskakovych looks into a layered urban experience, gathering fragments of words, street signs, and fleeting impressions, and transforming them into evocative poetic forms.
INDEX’s Fellow, artist, and war veteran Bohdan Bunchak presents his latest video artwork, Who Will Go for Us, created during his Fellowship at INDEX in autumn 2024. Bunchak explores PTSD, and the struggle of returning to civilian life after combat experience.